HEATHER VAUGHAN-SOUTHARD is a connector. She uses somatic engagement and creativity to inspire change in people, perspectives, and practices within classrooms, therapy rooms, and boardrooms. She is a presenter in the fields of education, social-emotional learning, somatic practice, and the arts. www.hvsmovementstudies.com
3 replies to The Costume “Black-out” Keeps Choreography Center Stage
As much as a love costuming, it must not interfere with the choreographer’s intent for the dance or the dancers. Dancers have to understand the intention of movement, then cope with the costume – or lack thereof (a bit like real life?) ;). Thanks, Heather, for writing about this.
As much as a love costuming, it must not interfere with the choreographer’s intent for the dance or the dancers. Dancers have to understand the intention of movement, then cope with the costume – or lack thereof (a bit like real life?) ;). Thanks, Heather, for writing about this.
And the coping is part of the fun! Thanks for sharing!
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