Mind the Gap(s)

Over the last few years I have realized that my role in dance is that of a mediator. This summer, however, I am realizing just how many realms in which this is true. In this, though, I am also more aware of my own biases and working on letting some of those go. Here is…

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You Can Do Anything But Not Everything 1.0

Recently, Dance/USA produced a series of articles about professional choreographers who have turned to working in higher education as a means to keep creating choreography within concert dance and earn a living. Most of the artists interviewed are of notable stature (David Dorfman, Joe Goode,…) and discuss the balancing act required of working in two…

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Playing Superhero: The Dark Side of Discipline

Discipline in the arts is usually one of the major “gains” in training and one of the reasons many parents choose to enroll their child. Discipline in pre-professional dance, for me, was what separated those that wanted to succeed and those that did. Discipline in professional dance takes on a different perspective in response to…

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Four Confessions and a Concern

Recently, dance educator Sheena Jeffers wrote the blog post, “Teaching Dancers: Non-serious v. Serious” to which I contributed a few brief thoughts as did our highly esteemed friends, Nichelle at Dance Advantage and Dance_Reader. Sheena is an inspired teacher with a clear perspective and serious motivation. Her post was started as a conversation on Twitter…

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Leading Me Here

Ten years ago I was living in NYC. I loved it. Good and bad, I loved every bit of it. Every blade of grass in the Sheep Meadow in Central Park. Every bookstore. Every pretzel cart. Every step stepped where history was made and interesting people walked before. Ten years ago I was pursuing the…

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The Summer of Awakenings

Recently, I was chatting with a friend about all that has gone on this summer. It has been an emotional roller coaster for many reasons including the birth of our second child in April, my emphasis on dance writing, the worrying about an unstable job in a challenging school district, the development of new dance…

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Marimba: Still Entranced by Lar Lubovitch

As a sophomore in college I had the distinct honor of dancing Lar Lubovitch’s Marimba. John Dayger, long time Lubovitch rehearsal director and dancer, set the work in a number of marathon weekends- a process that proved to be my first REAL introduction to professional dance. REWIND I entered college from a dance studio owned…

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The Next Verbal Challenge: Describing Contemporary Dance

I am relatively new to Twitter but I have already enjoyed the relationships I have started to cultivate and the dialogue they have inspired. One of the threads we’ve created is the comparison of contemporary dance to modern (look for #comodance).  I have biases.  Know this.  But also know that while I consider myself a…

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Finding 1st

I do a pretty funny impression (if I do say so myself) of a favored former professor of mine, in which I circle myself for a couple loops as if casually chasing my tail, finally locating my final destination and carefully placing myself accordingly:  1st position parallel.  Essentially, it is the same position I was…

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Underdogs Unite!

One of the things I like best about what I do is that it connects me with people of all ages, experiences, and relationships to dance. I especially like becoming a fixture in certain circles so that my observation and understanding of certain groups increases and I am better able to relate to these people…

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