Here is my December article for Dance Advantage.
Here's my November article for Dance Advantage.
Recently, I was chatting with a friend about all that has gone on this summer. It has been an emotional roller coaster for many reasons including the birth of our second child in April, my emphasis on dance writing, the worrying about an unstable job in a challenging school district, the development of new dance … Continue reading The Summer of Awakenings
As a sophomore in college I had the distinct honor of dancing Lar Lubovitch’s Marimba. John Dayger, long time Lubovitch rehearsal director and dancer, set the work in a number of marathon weekends- a process that proved to be my first REAL introduction to professional dance. REWIND I entered college from a dance studio owned … Continue reading Marimba: Still Entranced by Lar Lubovitch
I am relatively new to Twitter but I have already enjoyed the relationships I have started to cultivate and the dialogue they have inspired. One of the threads we've created is the comparison of contemporary dance to modern (look for #comodance). I have biases. Know this. But also know that while I consider myself a … Continue reading The Next Verbal Challenge: Describing Contemporary Dance
Yeah....It can be that difficult to maintain brevity when attempting to describe modern dance to the non-dancer. This is by no means the first time I've visited this puzzle in my work but this is a most recent stab prompted by the impressive Jordon Cloud. So, here goes. My meager attempt to describe modern dance … Continue reading The Verbal Challenge: Describing Modern Dance As Succinctly As Possible While Evoking Visual Image and Possible Definition of Intent
There are plenty of semantic issues in dance, such as the definition of “contemporary” dance. But the one that may frustrate me the most is the term “interpretive” dance. This is commonly used to describe modern dance when people (audiences) don’t seem to understand the artist’s intent. In many instances, I think it is the … Continue reading Interpretive Dance: A Rant
I wrote “A Passion Observed” over a month ago although it was only recently posted. Last week, Bill T. Jones was interviewed by Tom Ashbrook for NPR’s On Point radio show. I always love the show, but when my favorite liberal artist/choreographer in on….I REALLY love the show. (Last week also featured a show … Continue reading Part II: The Body Re-Members
Woman watches a stage full of eccentricly collected performers saturated in power, expression, individuality, character, and grace. Instead of seeing each detail, woman feels her way through the action, the story, the statement. The experience transcends vision, permeates the body, infects the core, stops and starts the beating heart. Unable to speak, tears brimming, woman … Continue reading The Body, Part I: A Passion Observed